Categories
blog

A coronation ride to Whiteadder Reservoir

How do you plan your cycle trips? By what you think your limits are? Or by where you want to go? And do your use apps, or a paper map or just follow your nose?

On Saturday 6 May an older man and his wife in England were crowned. Up here in Scotland there was bunting, outrage, apathy, protests and more interest in the ceremony than many were prepared to admit.

The weather was dull, with heavy showers and thunder forecast. I was six months on from my partial knee replacement. I wanted to go for a day’s cycle trip to avoid the coronation. I was also building miles with a view to doing a 100 miler later in the summer. Fifty or so miles I thought. I ruled out Fife. I’d been a number of times recently and it was time for a change. I ruled out the Dalkeith Country Park loop. I’d done that too often, too. East Lothian, I thought. Gifford I thought. The WhiteAdder Reservoir I decided.

The reservoir, in the Lammermuir hills in East Lothian, is 245 metres above sea level. That doesn’t seem much for someone who has cycled over the Himalayas, but that trip was in 2001 and cycling up steep hills is not something I’ve done much of in the last few years because of my arthritic knee.

Given the distance of around 60 miles return I chose my 22 year old pink Cannondale road bike over the heavier more practical Bob Jackson tourer. Light weight with no mudguards it’s fast and easy but not useful for carrying bulky waterproofs. It’s also not ideal on off-road muddy paths.

I looked for my Spokes East Lothian map and couldn’t find it. Not to worry, I thought. I was sure I would remember the route once I was on the road. I believed there was a national cycle network route to Gifford, and after that it’s pretty much straight up.

I set off without a paper map, without decent gloves (I could only find one of them), in shorts, with a woolly hat, an orange cap, and a windproof jacket that would last two minutes in heavy rain.

In Musselburgh I was forced into the door zone of parked cars by the male driver of a private hire taxi. In frustration I gestured to him as he bullied his way past. This turned out to be a mistake. He veered into a parking place further down the street, waited for me and roared abuse as I cycled past. He then pulled out and overtook me again. Again he roared. Finally he took off down a street to the right. I knew what he would do. Sure enough he was waiting for me up ahead. More abuse followed as I cycled past him. Shaken, but not put off, I pedalled onto the shared use path that runs along the River Esk up to Whitecraigs.

From Whitecraigs I joined NCN1, then turned left onto the route that takes you through a farm, up a steep hill, and up onto the Pencaitland railway path. It was oddly quiet, very few folk on bikes, just a couple of horse-riders and dog walkers. Was everyone watching the coronation? Were they put off by the weather? Or were they taking advantage of the long weekend and had gone further afield? The path, smooth red gravel, runs for around seven miles. It’s a pretty tree-lined route and it was busy with low flying blackbirds and floating white blossom.

There’s something meditative about cycling alone on a lightweight bike. I’d brought a bluetooth speaker for my handlebars and, when there was no-one else on the path, I listened to music, humming along, smiling, sometimes breaking into song. I got to the top of the railway path, stopped to watch a hare bounding into a hedgerow, found the NCN sign, turn left onto the road towards West Saltoun, cycled a few miles to East Saltoun and lost the NCN signs. I couldn’t remember whether the NCN continued to Gifford or whether it turned towards Haddington.

Without my paper map, and too lazy to use an online app, I followed the road signs to Gifford instead. While there was little traffic, the road was fast and several times I was passed by drivers who were too close doing what felt around 70mph. As a nervous cyclist (who wouldn’t be after being run over by an HGV driver) it was an uncomfortable ride. I pushed on as fast as I could, willing Gifford to come into sight. Despite the fear, it was exhilarating. Here I was powering myself through East Lothian on my own with my new knee. I felt strong, fit, liberated. What could possibly go wrong?

In Gifford, some twenty miles from Edinburgh, I stopped at the Lanterne Rouge, a much-loved cafe used by all sorts of cyclists. Oddly, there was only one other person there with a bike – an older man with an ebike who looked at me askance when I said I was going up to Whiteadder. It’s steep, he said, shaking his head. I know, I said, smiling. But I’d forgotten just how steep it was. The last time I’d been over the Lammermuirs it had been on an ebike from Dunbar.

It’s around nine miles to the reservoir from Gifford. I treated myself to avocado on toast with an egg on top and bought a fruit scone to take with me to eat at the top. I rammed that into my frame bag and set off up the hill. Google maps told me there were two routes to the reservoir, one that looped round through Garvald (11 minutes longer) and the shorter one that I knew.

I went via Garvald. It was the coronation. I was strong. I was fit. I was bold. I was a middle-aged woman at the top of my game. I was also clueless. I had no idea what was coming. The roads were narrow, quiet and beautiful. They were also very steep. There were at least two major fords with the road sweeping steeply down to them and sweeping even more steeply back up the other sides. Twice I had to get off. Not because I was out of breath but I simply didn’t have the strength in my legs to get the bike up what seemed like perpendicular roads.

Around a mile or so on from the second ford the thunder started and the sky smeared troubled grey. The air felt moist, thick.

I stopped, looked towards the hills. Looked back down the way I had come. There was no way I was going back through those fords and Garvald. I was committed. I pedalled up past a lone woman in a long skirt and walking boots (where was she was going?), we exchanged pleasantries, I continued up, and down came the rain.

It was a torrent, a maelstrom, a sudden dreadful sousing sent straight from the hereafter. There was nowhere to shelter. No sheds, no overhangs, not even a tree. I stopped, pulled on my hopeless jacket, and got back on the bike. Up up I went into the hills as the single-track road turned into a stream and then a river. My shoes filled with water. My black shorts slicked around my thighs. Thanks to my friend Al, I was wearing a Stolen Goat cycling cap. It kept the water off my glasses. I could see at least.

A driver loomed out of the dark towards me, flashed his lights and gave me a wave. I pedalled on. Each time I hit the crest of a hill another higher summit loomed into sight. And another. And another. I laughed. I muttered. I sang. I cranked up my speaker. Up I went with Shakira and Sonic Youth and Destiny’s Child and Beyoncé and Bob Dylan and Joan Jett and Patti Smith.

Still the rain came and still I kept going, the speaker spluttering in and out of life. I had no idea how far I had to go. I prayed that my tyres wouldn’t puncture. I prayed that my chain wouldn’t break. My legs pushed and turned, pushed and turned, and then, there it was, the slate glint of the reservoir on my left.

I didn’t stop to look at it. Didn’t stop to take a picture. I turned right onto the ‘main road’ and kept on pedalling. It’s one of the world’s great mysteries that the road is not downhill from there all the way to Gifford. There is however, a row of trees that provides a fulcrum of shelter. I stopped, ate half my damp scone too fast and hiccoughed.

By then my adrenaline had dissipated, my legs were heavy, my fingers red and numb and I was doused through. I was thirty miles from home. The music floundered and stopped. My phone died. I was less liberated and more fucked.

Up I rode towards Gifford. Up and up until the rain trembled and stopped and the sky breached. The downhill should have been a relief but I was trying not to get cold and trying to stop my brakes steaming and grating. Safe in Gifford I asked a local how to get onto the NCN. Turn right at the golf course he said. That turned out to be the same fast road (B6355) I’d come in on. I kept going. Losing my nerve I hugged the edge of the road, knowing that I’d only encourage the close-passers, which of course I did. But at East Saltoun I found the NCN again and I was on my way.

As I cycled back along the Pencaitland railway path I puzzled over whether it was uphill or downhill. For years I’d thought it was downhill towards Edinburgh until somebody recently told me the opposite. Cold and wet, my fingers now numb, I thought most of it was downhill. I do, of course, stand to be corrected.

Back in Edinburgh my hands were so cold it took me a minute or so to get my key into my door lock. It seems I am that person who no longer listens to limits. I cycle where I want to go. I cycle where I think I should be able to go. I follow my nose. I am hopeless at understanding online maps.

That night I ordered a new fancy waterproof cycling jacket from the Netherlands. There’ll be a Brexit bonus tax to pay when it arrives. In years to come we’ll remember where we were for this coronation. I’ll remember it fondly – on an old pink road bike getting a sousing on the Lammermuir hills.

The route I took is here. Take gloves. And a waterproof jacket. And shake that ass up those climbs.

Categories
blog musings

On Promenading

There’s an art to the promenade. Promenade as verb not noun.[1] You can tell the class of a person by their use of a word. Non-creative types just call it a walk. Old fashioned sorts go for a stroll.[2] Auntie Vera was very fond of a saunter. Uncle George grumped a march. And Wee Ed the Heid, who delivered muckle great piles of hand-caught mackerel in his shifty wee red wheelbarrow until he was well into his seventies, well he just called a stride a stride.

Do you need a promenade to take a promenade? Not necessarily. You could, with a low-hipped swagger and a lean-right-back on your built-up yellow cork wedgies, sashay down Edinburgh’s Leith Walk. But Leith Walk, the one with the tram works that recently turned up in a transport conference in Stuttgart in a side event on Brass-Necked Incompetence and National Beyond-the-Pail Embarrassments, is a discomfiting digression that is best left for another time. Stick to the Promenade for your promenading.

What to wear. December, Edinburgh. You’ll need winter beach attire, accessorised by a small pinch-nosed pooch in a pink puffa jacket with strychnine breath and a hissing Bauhaus smile.[3] The pooch is essential, as is the pompom at the far end of your very bright hat. The pompom, large, and heavy enough to lopside your gait, may be acrylic or uranium but must have a heft of glitter and a hove of spangle. If you can carry it off (and not everyone can), you should ensure the colour of the pompom matches the pinch-nosed pooch’s diamante satin (with nylon reinforcement) infinity lead.

What to bring. Bring a life. Bring a job. Bring a career. Bring a family. Bring a fucking big television. Bring washing machines, cars, compact disc players and electrical tin openers. And then bring money. Bring loose change. Bring notes. Bring a plate for the dog liver cake, sold out of a Tupperware box at the bratwurst van by a French tart and his Belgian lover, Frite. Bring a plastic bag bright enough to be very seen to throw into the nearest naked tree once you’ve picked up the pooch’s shit (for it will shit, it is guaranteed to shit after that deep and intense shit-brown liver cake).

What to drink. Once you’ve packed your pompom, your pinch-nosed pooch and the coins for the dog’s liver cake, remember your hipster-right-on-recycled-reconditioned-reconsidered-redacted-restructured-subcultured-keeps-all-drinks-piping-hot-easy-grip thermos flask. There’s a choice of refreshments on the Promenade although I recommend you avoid the Coconut Psalm Scratch House what with the furore over #BaconButtiegate (£7.50 – are you having a bloody laugh, mate?) and the inability of the queue to stop snaking around the corner and coiling and curling all over the bike stands. If you insist on the Coconut Psalm Scratch House, for the grand price of £3.50 they’ll drop a tea bag into your hipster-right-on-recycled-reconditioned-reconsidered-redacted-restructured-subcultured-keeps-all-drinks-piping-hot-easy-grip thermos flask and splash some boiled water onto it. Feel free to bring your own beverage.

How to stand when buying stuff. During these testing times of covid, you will notice many stickers beneath your feet. These apparently random lines of police tape do not generally denote scenes of terrible violence, even where they are splashed with blood. Stand on said tape and wait for your turn. An even temperament is required for this task. Turn the other cheek to avoid being smacked in the face by the unmarked virus stewards whose reinforced petri dish eyes can spot a hip over the line from seventy paces. It is not considered polite to let your pinch-nosed pink puffa-jacketed pooch piss on the social-distancing ticker tape so if it does happen for Christ’s sake be discrete. Step onto the piss and distract the person in front of you with exaggerated exclamations of how exquisite their sawn-off legged cork-screw tailed dachshund is what a lovely baby blue coat it’s wearing did you crochet that yourself?  Be careful, though. You don’t need a new best friend for life, especially not one that crochets for he who crotchets may well macramé and he who macramés may well have been in prison.[4]

How to wild swim. Don’t. Be ready with excuses. Arm yourself. Make a list and have it at the ready. Stick a couple of arguments in the pocket of the pinch-nosed pooch’s pink puffa jacket. Just in case. No, you’ll never get used to it. No, you don’t need a snake oil cure for your crippling arthritis. No, it absolutely won’t be lovely once you’re in. No, your endorphins don’t need a rush, they never need to rush, they’re just not that sort of polypeptide. No, wood smoke is not hygge, it’s dangerous particulate matter that skewers your bronchioles and gouges your tinted contact lenses and the smell will destroy your vintage almost porous patina sheepskin flying jacket that you got in the sale at Harvey Nichols the day you couldn’t stop crying and so you spent six hundred pounds that you didn’t have and god that felt good that felt really good.

Where to park. DON’T BRING YOUR BLOODY CAR. There’s a climate emergency you bawbags.


[1] In Havana, the promenade, the noun not the verb, is called the Malecón. Reminds me of the word maleficence.

[2] Stroll is an ugly word. And stroller is even uglier. I prefer buggy. More friendly, bug-like. Like Auntie Vera’s eyes when she saw her husband Alistair, aged fifty-nine, snort his first line in the downstairs guest toilet on the pretext that he was just popping in to change the peach hand towels for the lemon ones, they went so much better with the new Axminster.

[3] This whole thing about breeding dogs to prevent them breathing really gets on my wick. I look at people with these dogs and I half close my eyes and I put my hands around their throats, press my fingers sharp into their tracheas, watch their pale brown watery eyes bulge until they pop, then slowly release my fingers. It’s a fantasy I have on each one of my promenades. One day I fear I may mess up my fantasy and I will leave the Promenade strewn with my idiot victims, their dogs released from their infinity leads to ponder and puff and pant and postulate their way across the sand, their owners gasping their last.

[4] Don’t get me wrong. There’s nothing wrong with prison. Nothing at all.  I’m a firm believer in rehabilitation. It’s the baby blue crotchet coat on a dog with no legs that’s waving the red flag here.

Categories
fiction serial

The Cloud. Episode 40

February, 2020. Edinburgh

A scene. Katherine’s living room.  Early evening.

Inside a large opulent living room. Curtains pulled. Lamps switched on. JEREMY is sitting in a large armchair. KATHERINE is standing by the fireplace. JANET is sitting on the edge of a chaise longue. BESSIE is sitting on a sofa. All have glasses in their hands.

Katherine:        I propose a toast.

Bessie:             To us. The Cloudbusters.

Jeremy:            Mother, for God’s sake…

Bessie:             Jeremy, allow me some fun for once in your life.

KATHERINE and JANET exchange glances across the room.

Jeremy :          Fun? This is organised crime, Mother.

Bessie:             You’re so like your father.

Jeremy:            Every time you bring him up. Every goddam time.

Bessie:             There’s a reason for that.

Katherine:       Heh, come on. Drink to whatever you want – but drink!

Janet:               To Cyril.

Jeremy:            A cloud…

Janet:               Clouds have rights too

Jeremy:            I’m not saying they don’t.

Bessie:             You signed up for this, Jeremy.

Jeremy:            Only because it was your long lost friend with a, let’s say (he pauses), an odd background.

Katherine:        Don’t be an arse, Jeremy, not in my house.

Jeremy:            Just saying how it is.

JANET stands up, walks to the fireplace and puts her full glass down on the mantlepiece. KATHERINE pats her arm and takes a slug from her glass, which is nearly empty. She tops her glass up from the bottle. She offers it to JANET. JANET shakes her head.

Bessie:             I’m sorry, Janet. He’s just tired. Such a long drive to come up here. He’s an expert you know. On all these gang things. Kidnappings are his speciality. Doesn’t leave room for charm.

Jeremy:            You’ve no idea what my speciality is, Mother.

Janet:               Jeremy, if you don’t want to be here…

Katherine:        There’s the door, Jeremy. No room for men like you in my house.

JEREMY puts his glass down on the floor and stands up. He steps towards the door. BESSIE stands up, follows him to the door and takes him by the arm. Whispers in his ear. He whispers back. They appear to be arguing.

Katherine:        Anyway, did you hear the news? There’s been another cloud kidnap. In Glasgow. A car parked in the Merchant City apparently.

Janet:               Can’t believe anyone would leave their cloud in a car. How irresponsible.

Katherine:        Really stupid. Must have going to the theatre or something.

BESSIE and JEREMY come back to the centre of the room.  JEREMY sits down, puts his hands on the back of his head.

Bessie:             He’ll help.

Jeremy:            Correction. I actually said I’d lead if we keep it professional. It’s not a game. I’ve got two days here then I’ll be managing the operation by phone.

Katherine:        Who decided you’d be in charge?

Jeremy:            It’s obvious, isn’t it.

Janet:               Does it matter?  I just want Cyril back.

JANET turns her back to the others and faces the wall. She takes a slug of wine from her glass.

Bessie:            See what you’ve done, Katherine? Why not just let Jeremy take charge? He knows what he’s doing. He’s trained. The military and everything. He’s even been to wars. To top tables. Remember that piracy case in Somalia. The one with the oil tanker?

Jeremy:            Could you please leave it out.

Katherine:       I don’t know what oil tankers have to do with clouds. And I don’t need a man telling me what to do. I’ve enough of that at work.

JANET turns around and faces the room. She has her glass in her hand and it is empty.

Janet:               It’s my cloud. I just want him back. If you can’t agree just leave. (There is a long silence.)

Katherine:       OK, OK, Jeremy, but mess it up and you’ll be responsible.

Jeremy:           If you let me do my job nothing will be messed up.

Bessie:            That’s it. We’re agreed. I propose a toast!

BESSIE raises her glass. JANET follows. KATHERINE AND JEREMY do not look at each other and raise their glasses half way.

To be continued.

Categories
short films

Yassine and Rayyan

Towards the end of 2019 I signed up for Edinburgh University’s Introduction to Filmmaking course. I had commissioned and produced three short films before, but I’d never directed or edited a film myself. In the first ten minutes of the first class, our tutor, Andrew Rooke, told us we were all there to make a film. We nodded and smiled. I don’t think I really believed him. But that man worked miracles. Over a ten week period, we went from concept to storyboards, from cinematography to sound design, from lighting to directing, and finally from editing to publishing. Every Thursday evening for three hours we slogged through theory and practice. Deadlines came and went, and I met every one of them. The last class was a mini film festival. We ate popcorn, showed our films, took questions from the tutor, and bowed. I was stupidly proud. I still am.

My initial concept proposal was to make a short campaigning film for Spokes Porty. Spokes Porty works to make walking and cycling safe, fun and practical for everyone in and around Portobello, Edinburgh. I thought it would be straightforward. No actors required. No script. No fancy lighting. All I had to do was find a cinematographer and some willing volunteers to get in front of the camera and talk about cycling.

However, as with all projects, things changed along the way. Despite intensive and careful planning, detailed call sheets and shot lists, everything that could go wrong did so. Filming on dark dreary Scottish winter days is not ideal. People get ill. Technology fails. I forgot how some things worked. I was stressed about recording the audio. I’d never fully understood that sound is more important than visuals. People will accept poor quality visuals if the sound is good. It doesn’t work the other way around.

But many things exceeded my expectations. Simon Russell, the cinematographer, was happy to work with a first time director for free. And the stars, local people aged from nine to ninety five, gave up their time to sit in front of a camera, speak into a microphone, and tell us about themselves with clarity, honesty and humour. It was humbling, inspiring, and fun.

Like everyone who goes out to record people’s feelings and experiences, I ended up with too much material for one short work. I didn’t want to waste it. So instead of making one film featuring four local people, I’m in the midst of making five films: four shorts and one longer version. I’ve been back to one person to record more audio, and I’ve put a GoPro on bike handlebars to get some more footage to use with it. I’ve also given the audio files to Porty Podcast. Podcast 151, supporting the films, is available from 4th January 2020.

This first film, launched on social media on the 1st January 2020, features Yassine and his son, Rayyan. It’s a simple love story about a father and son who travel around together on a bike. There was no time to cover the importance of character in documentary in the university course. Working with Yassine, I stumbled on it inadvertently. Yassine taught me that character is everything. First, find a character that is engaging, authentic, and has something important to say. Second, provide the conditions for that character to engage on screen and make an impact with an audience. Yassine did the first part. I hope we have managed to do the second.

Yassine and Rayyan – A short love story from Spokes Porty

Design a site like this with WordPress.com
Get started