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The Cloud Episode 56

1966 – Sydney

‘Just nipping to the boys’ room,’ the Inspector said as they filed out into the large marbled hall after the verdict. Janet watched his back as he hurried away down the long corridor, listening to the echoing clack clack of his leather soled shoes on the marble floor, seeing for the first time the white skin at the back of his neck above his tan line. A new haircut. Must have had it done especially. It was cool in the building but she needed air. She spun out through the revolving doors too fast, catching her elbow and wincing, out into the damp heat, and stepped to the side, leaning back on the smooth grey stone of the building. She’d wait for him. She wished she’d brought something to drink.

‘Come on, Janet,’ her father said as he helped her mother down the steps past her. We need to get home. ‘Your mother needs to lie down.’

‘I’ll be along in a minute,’ she said. Neither Bernadette nor Eric replied. Edward came out of the building and caught up with their parents. The three of them walked side by side down the road towards the car, heads bowed as if in prayer.

Janet checked her watch. Checked again. What was taking him so long? Each time the doors revolved she readied a smile, slumping in disappointment when someone else emerged. Where was he? Why didn’t he come out to speak to her? Comfort her. Tell her well she’d handled herself. Put his cool hand on hers. Squeeze her fingers. Tell her it was all over. What a relief. The Coroner was sensible and had come to the right conclusion and they could all move on now and perhaps Janet would like a swim in one of Sydney’s more secluded bays, he could take the day off?

But he didn’t come out and Edward was shouting at her to hurry up, what was she hanging around for?

Barbara was there, though. Barbara had come out a minute or so after her parents, had caught them up in the street and appeared to be asking each of them in turn for a comment. Barbara, laying a hand on her father’s shaking arm. Barbara putting her arm around her mother, offering her a clean white hanky. Barbara looking at Edward, saying something that seemed to make him smile. Barbara scrawling notes on her small pad and motioning with her hand towards the photographer, who stood still in the shade of the neighbouring building, a black bag full of kit, waiting for his instructions.

Barbara had apparently run out of sympathy by the time she returned to Janet. She clipped up the steps, seemingly oblivious of the heat.

‘How do you feel,’ Janet, she said, her pen poised, ‘as the last person to see Philip alive. He was so young, only thirteen. It must prey on your mind.’

‘It was an accident,’ Janet said, ‘that’s what the Coroner said, ‘a terrible accident.’

‘You know what I think’, Barbara said, not waiting for a reply, ‘I think you know more than you said in there.’ Janet put her hands in her pockets and started down the steps with one final backwards glance. The journalist followed her.

‘Leave me alone, I said everything I knew.’ Janet quickened her step. Barbara did too.

‘You can run, darling, but you can’t hide from yourself. No one’s ever achieved that.’

Barbara slipped her notebook into her bag and looked at her watch. ‘Need to get going. Colin hates me waiting. See you around, Janet. This story isn’t going away.’

To be continued.

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The Cloud – Episode 55

April 2021, Edinburgh

On the other side of the city, in a quiet park lined with oak and beech trees, two women sit two metres apart, each on their own blanket. It is still early, perhaps around nine thirty in the morning. There are few others in the park. A slim woman running under the trees in pink leggings with a blond bobbing pony tail. An older man in the middle of the vast expanse of grass with a chestnut spaniel straining at the end of a long leash. Two men in hi-viz vests with black bin bags and litter pickers propped against their knees sitting on a metal bench smoking cigarettes.

Sun is burning off the harr and the light is shifting, brightening.

Both women are dressed for an early cold spring. Thick coats, thin scarves and woolly hats. If one was to make a judgement, Lisa appears the more elegant of the two. She has chosen greys and blacks and charcoals. Her wool is fine, the cut of her coat neat and narrow, and there’s no skin gap between her matt black ankle boots, her dark socks and her black corduroys. She holds a takeaway coffee cup an inch from her lips, steam pushing up past her nose and eyes.

The other woman, Katherine, has bright lips and matching orange nails, and a green pompom so large on her yellow woolly hat that it seems to tilt her backwards when she laughs. Her legs, clad in thick red tights under a navy pinafore dress, are splayed out across her blanket and cross and uncross in an apparent attempt to find some comfort on the hard ground. Lisa watches the legs without comment.

It is their first meeting in person, beyond a few text exchanges, and they have been talking about lockdown and pandemics and vaccinations and survival. It takes some time, ten or fifteen minutes, for Katherine to steer the conversation to the point.

‘You must have had some odd cases,’ she says, pouring milky coffee out from her flask into its matching metal cup. Lisa smiles, puts her own cup down, and leans back on her elbows.

‘Yes,’ she says, ‘but not as many as everyone thinks.’ Katherine laughs.

‘God, everyone must ask you that, sorry.’

‘Most of it’s divorce stuff, affairs, money, lost family members, you know. Straightforward.’

‘I didn’t even know private detectives existed beyond the telly’.

‘Private investigators,’ Lisa says. ‘Detectives are employed by the police.’

‘Sorry,’ says Katherine.

‘You really need to stop saying sorry,’

‘I know, sorry, no, I take that back.’ Katherine laughs and the green pompom does a rapid cha cha before settling to the right of her head. ‘What about unusual pets, stolen ones, ever investigate those?’

Lisa sits up again, crosses her legs into a lotus position, and faces Katherine. She is no longer smiling. ‘Is there something specific you want to know, Katherine?’

Katherine takes a sip of the luke warm coffee. Puts the cup down on the grass beside her.

‘Yes’, she says, ‘I guess there is.’

Lisa gets up to her feet, lifts the small cream blanket, brushes it down and folds it up, doing up its three leather buckles.

‘I never break client confidentiality,’ she says, pushing the blanket into her bag.

‘Lisa, please. You’re misunderstanding me. It’s not about a case. Not exactly anyway.’

Lisa picks up her coffee cup and looking around the park. Her eyes settle on the bin in the far corner.

‘I trusted you, Katherine,’ she says as she walks away.

Katherine is up on her feet, calling after her. ‘My friend is missing, Lisa, please. She hired you before all this covid stuff. To find her damn cloud kidnappers. Now she’s disappeared herself.’

To be continued.

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serial

The Cloud – Episode 54

The year that drops our of Janet’s life is the flutter of a dying oak leaf, spinning flailing gliding flying until it settles quiet in the shadows a few metres away from the host trunk where it may lie and decay, unless disturbed by a blackbird or a hedgehog or a stag beetle or the tread of a non-slip waterproof walking shoe.

Janet is, initially, a wisp of her former self. Her hands do not comply with orders. Her fingers shake and struggle to grasp the half-filled plastic cups of luke warm tea. Her feet are too far away and too discoloured and too full of fluid and too uncertain to walk without a frame or a physiotherapist holding her arm. Her tongue and lips form words that are uneven, clipped, that take time to get going. Her mind toys with her, teasing, playing hide and seek, scrabble without the full set of letters, a favourite jigsaw with a missing piece. There is no one to ask and no one to tell her. No visitors, they keep saying. And she’s too afraid to use the phone.

Some days Sergi helps her to get up and dressed and she sits on a reclining chair by the large picture window in the room that used to be reserved for visitors. She wiggles her toes under the blanket, counting them in and counting them out. Over and over until she is sure. She has ten. She has ten. She has ten.

The room has been emptied of anything interesting, of any visual cues, of anything that connects the institution to the outside world. No calendars, no posters, not even an old newspaper or a magazine. She leans back and watches the sky. Watches the Altocumulus clump and roll and dodge the sun. She measures the clouds with her fingers, counting off the inches, checking them against the horizon of the long pale flat of water that sometimes glistens, sometimes doesn’t.

How do you know their names, Sergi asks her one morning as she points out the Cirrocumulus.

That cloud, she says, is six miles high. Imagine that. They’re made of ice crystals. Rare.

I didn’t know, Sergi says as he measures her pills out and signs off her chart.You know a lot about clouds, he says, handing her the pills. Were you a weather lady?

It takes Janet a minute to reply. I don’t know, she says. I’d be on the telly, wouldn’t I. I’d remember that.

To be continued

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fiction serial

The Cloud – Episode 53

Janet has been awake now for a week. So Sergi says although with all that white kit on she can’t really see him never mind make out what he’s saying. He reminds her of astronauts. She could have been an astronaut. Imagine that, being fired into space with a rocket under your seat. Little earth all green and blue and spinning, spinning. Imagine being weightless, throwing your lunch to your colleague, playing a guitar upside down. How does sound work in space?

‘You’ve had a tough time, Miss Waters,’ he says as he rubs Vaseline across her lips with a small sponge on the end of a stick. ‘We’re all so proud of you.’

Janet lies back on the hard mattress and the hard pillows and lets him get on with it. Everything is too white and too stiff. Someone has pulled blue curtains around her bed and she doesn’t understand whether she is alone or whether there are others. There are too many tubes in too many orifices and her bladder feels strange. Full and empty at the same time. She’d love to sit on a toilet. Sergi smells of bleach and antiseptic. Sergi tells her his name every time he approaches her. It’s Sergi, Miss Waters. Here to give you a wash. It’s Sergi, Miss Waters, just checking your catheter. It’s Sergi Miss Waters, the doctors want a word.

Nearly a year, she hears him whisper to someone. No one thought she’d make it. Strong as an ox, someone else says and he whispers shush, shush, she can hear you know, don’t go round calling my patients oxen it’s not kind. A year of what? She can’t work it out. Who are these people in their cosmonaut suits and their visors and gloves and their tired eyes and their flitting from one thing to another and all that beeping and clicking and all those tubes?

A head pokes through the blue curtains. Hi, Miss Waters, it says behind its visor and mask. I’ve got the menu for tomorrow here. Doctors say you can have something soft. I’ll leave it with Sergi and he can fill it out for you.

Something soft? Janet isn’t hungry. She shuts her eyes. She hears Sergi pull the curtains back. Light lands on her face. It’s warm the sun. Warm and bright. She turns her hands over and lets the sun alight on her palms. She curls her fingers, catching the light, holding onto it.

‘I’m afraid you aren’t allowed visitors, Miss Waters,’ Sergi says, ‘but we could set up a phone call. Is there someone you’d like to speak to? A friend?’

Janet struggles with the thought. A friend? Does she even have any friends? There was a friend. But he left. Or he disappeared. Or someone took him. She’d been searching for him. That’s right. He’d been important. More important than anything. She’d been looking everywhere. Even in the sky. With the cosmonauts. With Laika. Laika sniffing through the stars looking for her friend. Barking and running and barking again at the endless iridescent trails.

She opens her eyes. Sergi, she says. The ferret. Who is looking after the ferret?

to be continued

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How to use a cloud blower

The temptation is to simply let it rip, but technique and strategy are involved in handling this power tool. Find out how to use a cloud blower properly and minimise the amount of time you spend backtracking.

There are plenty of options for cloud blowers on the market, so how does one narrow down the field? Consider the size and shape of your sky, for starters, and how many clouds tend to congregate in a season. Small skies or those with light cloud accumulation can get by with less power, perhaps even a cord. Medium to large skies that see more fallen clouds will require more power and can benefit from the free reign afforded by batteries and petrol tanks. Just remember: While a larger model may be more powerful, it will probably also be more unwieldy.

A cloud blower is most effective for gathering the bulk of a sky’s clouds into large piles, to be removed with a tarp or by hand. Don’t expect to blow every last cloud off your sky with a cloud blower. That will drive you crazy. Try hard not to be too fussy. You can follow up with a cloud rake at the end to get the stragglers.

The vacuum mode of a cloud blower is best reserved for smaller and less accessible jobs, where a cloud rake would be difficult to use. Use it for clouds that have been trapped around rocks, at the bases of fences, or in the tight spots around your house. It’s also handy for getting clouds off your deck, or for removing small amounts of dirt and fog clippings from your drive.

Consider the weather before you head outside to clear clouds. Wait for calm or no winds. If you can, remove your clouds on a day when the wind is blowing in the direction you want them to go, or on a day that is still. You’ll find that doing otherwise is seriously counter-productive.

When possible, wait for wet clouds to dry. Dry clouds are easier to remove with a blower than wet clouds. Test the moisture of a cloud pile by directing your blower at its base. If it barely budges, it might be best to do another chore instead and come back the next day.

It’s all in the technique. Plan where you want your clouds to ultimately land. Position a tarp in the designated spot, so you can haul the clouds to your compost heap when you’re finished. If you’re blowing them directly into a wooded area or compost pile, do it in sections. Collect your clouds into your designated spot and then separate 6’ sections of clouds at a time, blowing them to their final resting place.

Work in one direction only. That will help prevent you from blowing clouds into an area you’ve already worked through.

Hold the blower at your side and point the front end at the ground at a shallow angle. Use a smooth back-and-forth motion as you walk slowly with the cloud blower in front of you.

Remember to wear eye and ear protection when blowing clouds. Small shells, clouds, and other debris can easily get blown into eyes, and cloud blowers generate between 70 and 75 decibels, which is not only considered annoyingly loud by some but can damage hearing after prolonged exposure.

With a little practice, a cloud blower can get you to that post-cloud-removal celebratory beer quicker than a rake.

We hope you have found this handy how to guide helpful. Look out for our other handy how to guides that include:

  • how to clean your brain
  • how to prune the truth
  • how to paint the sky.

Our how to guides have all been developed by experts using a process based on found poetry.

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The Cloud. Episode 50.

Edinburgh. February 2020.

Janet sat down heavily on the bench in Princes Street gardens and pulled her scarf tighter around her neck. That went well, Jeremy had said, as he’d buttoned up his thick woollen coat and ushered her out into the street. A consummate professional as expected. We’ll go for a coffee and  debrief. There’s a little place round the corner that does excellent cheese scones.  He’d put his hand on her arm and moved her in the direction of the cafe. Janet had muttered some excuse that she didn’t feel so well and had hurried away from him in the opposite direction before he could insist. She’d ignored the splutter of his surprised calls at her back. She wasn’t sure how she’d ended up in the gardens by this particular bench. I’ll call you later, she’d said, or something to that effect. There’s a lot to take in.

There was indeed a lot to take in. In front of her on the weak winter grass, two crows were squabbling with a large herring gull over an empty crisp packet. The birds hopped, skipped and jibed as the packet was torn from one beak to another. It’s empty, you idiots, Janet wanted to say. And its two against one. The gull, however, showed no sign of giving up, even as the larger of the crows hopped onto its back and threw a jab at the back of its skull. Distracted, the gull swiveled its head around, and the crow on the ground grabbed the packet, winked at Janet, and flew up into the weeping ash tree with its worthless prize. The other crow took one last jab and flapped up to join its mate in the bare branches. The gull looked at Janet, blinked, and lifted off towards a discarded cardboard coffee cup further along the path. The crisp bag floated down from the tree a minute or two later.

It would rain soon, Arthur had remarked cheerlessly in the detective’s office.  Janet looked up at the sky. A habit now, searching for Cyril. A pointless one of course. It wasn’t a day for cirrus clouds. There were no celestial brush strokes or fallstreaks. Instead the sky was plugged with drab and unremarkable nimbostratus. The thick featureless grey hung across the city like an old mosquito net. The damp of the cloud crept into Janet’s scalp, stole along the bare skin on her ankles, and sidled into the harrying pain of her wrist joints.

Lisa Connolly-Smythe. What a mouthful that must have been for a little girl. Had the Inspector been carrying on with her when he had a baby at home? Or did baby Lisa come later? After the Inquiry.? Maybe years later? Janet was hopeless at estimating people’s ages. But the Inspector had never taken Janet to his house and Janet had never asked why. Or at least she didn’t remember asking. Had he been hiding a family all along? Or maybe she had been to his house and she couldn’t remember? It was all such a long time ago.

Perhaps this wasn’t a coincidence? Jeremy was setting her up? Bessie knew and she’d told Jeremy and they were in it together and they’d chosen this private detective to out her once and for all. They’d bring her down out of some warped sense of justice or jealousy or just bloody vindictiveness. She should quit now, just leave Cyril. Maybe those criminal kids were right that he shouldn’t be caged up. That he’d better off in the sky. She was just a stupid lonely old woman who’d attached herself to a cloud instead of people. And now her past was finally chapping at her door.

Her phone buzzed in her handbag. She pulled it out. Bessie. Bessie calling her to ask how the meeting went? Bessie calling to ask why she’d run away from Jeremy? Or Bessie calling to dig for information on how both of Janet’s brothers had died young in such tragic circumstances. She let the phone ring out.

She got up and walked along the path towards her bus stop. A discarded Metro paper flapped across her feet. She stooped and picked it up. She couldn’t understand why people felt the need to litter. She continued on until she got to a bin. She glanced at the headlines as she threw the paper in. The first British persona had died of corona virus. A man on a cruise ship in Japan. Janet shivered. The rain started. Heavy and insistent. Janet didn’t have her umbrella. She put her head down and quickened her step.

To be continued.

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The Cloud. Episode 45

1966, Sydney.

A Greek restaurant on a Saturday night in downtown Sydney. Two tables on the small patio out the back of the restaurant. The patio is dim, lit only by a weak bare bulb mounted on the wooden wall of the restaurant, and a candle in a bottle on each table. The patio is hemmed by high walls, recently white-washed. The paint smells of fresh chalky concrete. One wall is adorned with tumbling plants, the others with blue and white ceramic plates. One table is empty. A couple occupies the other table.

She is in a tight green dress, the hemline well above her knees. Her skin is not yet tanned. Freckles dot about her bare arms. Her hands flutter around her face. Her eyelashes and her lips have been thickened for the occasion. She is leaning back on her wooden chair. Every few minutes the weeping cactus plant on the shelf behind her head tangles in her hair and she pulls away, laughing. She doesn’t say much. She doesn’t want to say the wrong thing. She’s not sure what the right thing is. She is waiting.

He is in a blue-checked short-sleeved shirt. His trousers are not worth describing. He may be wearing sandals. If he is, it will feel more agreeable. His dabs at his brow with a cotton handkerchief are rhythmic and methodical. His face is pink, a malady brought on by the heat and the alcohol. It’s difficult to hide a pink face. He looks like he’s trying.

His glass is nearly empty, hers is almost full. The thick pine scent of the retsina is sticky sweet. It reminds her of treading barefoot through the forests back in Scotland. The pale brown spindles jabbing at her toes.

A small black (hand glazed?) bowl swanks large green glistering olives. The bowl’s white partner is empty. The man gestures to the bowl. For pips, he says. It’s not easy to eat an unpipped olive in a decorous manner. The woman, trying olives for the first time, takes her cue from him. She punctures the soft flesh of the fruit with a wooden cocktail stick. Pops it into her mouth fast before the olive drops off the end. Chews the pulp around the stone. Holds the stone in her mouth for longer than is comfortable. Spits it into a cupped hand and drops it into the white bowl. She waves away his signal for her to eat another.

Is there anything you don’t eat, he asks her, running a finger down the menu. She shakes her head. She is too shy to say. He knows the chef, he says. Anatoli. He’ll cook us the best of the best. The waiter, bursting through the plastic string door curtain with a smiling flourish, brings them a small tray of warm pita breads and a plate of dolmades. They look like babies. A row of babies tucked in tight in viridian swaddling. Stuffed with grape leaves, he says to her. They’re divine.

He picks one up with his fingers. Come here, he says. And open your mouth. She hesitates. She is not sure about the leaves. Come on, he says. She leans forward. He twists the dolmade into two pieces. She closes her eyes. The mixture of leaf and rice is soft, sensuous on her tongue. Delicious, she says. He wipes a line of brine from under her lip with a finger. She can’t believe she said delicious. What a ridiculous word. He puts the other half in his mouth and chews. Another, he asks. She nods. Of course, she says.

The waiter returns with his note pad. Scrawls the order down with a chewed down pen. The woman understands none of it. She trusts the man to do the right thing. The waiter leaves and the man calls after him. Georgios, could we have some music? Greek music for the princess here. He called her princess. She blushes. The music starts a minute later. (If you’re reading this aloud, stop and find a version of Zorba on Youtube. Crank up the volume as the tempo increases. Tap your foot. Click your fingers..That smile you have? That’s the woman’s smile, too.)

I love it, she says. I knew you would, he replies. She dances her fingers on the table. He reaches across and touches her hand. It’s nice, he says, being with you. She doesn’t reply. She looks down at her plate. She grins. He likes her. He really likes her. It’s been hard, you know, he says, these last couple of years in Oz. Took me ages to fit in. But now you’re here. And it’s home from home. He dabs at his brow.

The waiter bursts through the door curtain with a tray. A long red strand of plastic wraps around his neck. He flicks it the way he always flicks it. He’s a flicking expert. Madam, he says, kolokythokeftedes, compliments of the chef. Anatoli’s special. He puts the plate of courgette balls down on the table. Eat those and I’ll be back with the moussaka and the souvlaki. Aren’t you lucky, the man says. He’s never done that for me. The woman blushes. This, she is sure, is the happiest night of her life.

To be continued.

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The Cloud. Episode 44

February 2020, Edinburgh

Katherine sent the plan to them a couple of hours after the meeting. It was in Excel. Janet didn’t do Excel. Not because she didn’t understand computers. Of course she did. She just did words better than numbers. Why put words in cells when you could put them on a page? She scrolled through the columns, sighing and tutting.

Cyril. (There’s no column for Cyril. Why hasn’t he got a column. Have they all forgotten what this is about? Katherine will have to add him in. Straight away. Note to self to tell her..)

Budget. £15,000 operating budget. All receipts to go to Bessie. Bessie will refund within 24 hours. (Why is Bessie insisting on paying all that money. Where did she get it? Patronising. Still, a PI expensive. If they want to pay up to them. B feeling guilty?)

Communications. WhatsApp. Everyone to change email passwords regularly. No talking to the Press. (For God’s sake, who’s going to hack my email? It’s a cloud not the bloody First Minister. I’ll forget the new password a minute after I’ve changed it. Should have argued about the press at the meeting. Be better to have press interest. Flush them out. Note to self – bring that up at next meeting.)

Katherine. Prepare and keep project plan up to date (DONE). (Not as organised as she wants us to think – found her note on the table after she left – can’t even draw a cloud!)

Katherine. Set up new profile on social media for undercover. (Can’t wait to see the pictures and the wig. She has to wear a wig. Could I choose the wig? Can’t look too pretty. Threat to Amy. Has she thought that through? But attractive enough for Dan? Hope she doesn’t irritate Amy. Could ruin the whole thing.)

Jeremy. All decisions to go through him. He’ll respond within six hours. (Easier to keep the peace and just let him think he’s the boss. and anyway we need him. Wish Katherine wouldn’t goad him. How did Bessie bring up such a chauvinist pig? She’s supposed to be a feminist.)

Jeremy. Will hire investigator by end of week. (At least I got him to get a women. Hope she gets on with Katherine. She’s bossy. Might think it’s competition. Exciting, a private investigator.. Can’t wait to meet her. Hope she doesn’t investigate me. Have to prevent..)

Bessie. To put together a file on ARPL. Everything in public domain. (Why Bessie – isn’t a researcher? Is J trying to keep her away from the important stuff?)

Janet. To write a full brief for the PI on the details of the theft by Thursday. Include photos. (Why do they insist on using the word theft. Demeaning. Sounds like a pair of shoes or an old purse.).

All. To keep looking up. (Glad I got that in. He might have escaped and is trying to get home. So dangerous. How would he know how to get back? They wont recognise him. But I would. Especially if he tinkled. Miss his tinkles.)

All. Next meeting on Friday (on-line). All to report on their actions. (Will K come in her disguise?. J would be angry. Can’t have any falling outs.)

To be continued.

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The Cloud. Episode 43

1966, Sydney

Two long raps and a short. Two long raps and a short. Everybody in the Waters family knew the Inspector always knocked twice. Views diverged on the purpose and value of his visits.

Eric, with tight lips and clenched fists. ‘He’ll have nothing new to say. Just leading us on.’

Edward, throwing stuff out of the laundry basket. ‘Has anyone seen my rugby shirt ask him why he looks at Janet that way the creepy little shit.’

Bernadette, with blinked back tears. ‘He’ll have a date this time. He said he would. He has to.’

Janet, with flushed cheeks and a check of her fingernails. ‘Just going to my room (to change).’

Bernadette opened the door and let the Inspector in. He followed her through the hall and into the kitchen. Eric got up from the table and went into the garden, slamming the screen door behind him. Edward, having found his rugby kit, shouted goodbye, that he’d be staying with a friend overnight, and left via the front door. He didn’t say anything to the Inspector.  

Janet stood in front of her open wardrobe and studied the three dresses, the four skirts, and the five blouses. She was bored with yellow, tired of polka dots, and wanted something different. Something grown-up. But she had yet to start her new job, and, without her own money, there was no chance of a new outfit. Not unless the Inspector paid. But they weren’t at that stage. Not yet. And, if Janet was honest with herself (she wasn’t always), they’d only been on one actual date. One date, one kiss, one ice-cream and a large stick of pink candyfloss to share.

The green dress was shorter and tighter than the others. Bought in a sale the one time she’d be into the city centre to shop. Her father had frowned when she’d brought it home and asked how much money she’d wasted on it. Edward had said it was the same colour as the slime down at the sewage treatment works. Her mother hadn’t even noticed. The Inspector hadn’t seen the green dress. She’d been saving it for something special. For when he invited her out to dinner. She changed into the green dress.

‘Hello, Janet,’ he said, as she walked into the kitchen. ‘I was just telling your mother we have a date for the inquest.’ Janet stopped. Her stomach knotted. Heat rose up her neck and into her cheeks. She’d been sure that this wouldn’t happen. All that international law of the sea stuff would be too complicated. What could they say without a body? They’d call her as a witness. She’d have to swear on something. The bible maybe. Or the queen? Did they even do that in Australia?

Bernadette was wiping her eyes with a handkerchief. ‘I’m so grateful,’ she said to the Inspector, ‘for all you’ve done for us.’ The Inspector nodded. Patted her arm. Janet poured herself a glass of water from the jug in the fridge. Leant back against the wall. Whose side was he on? How could he have done that to her? Put her in front of the coroner? What’s the point of bringing that stuff up all over again. She gulped back the water.

‘In three months,’ Bernadette said to her daughter. ‘It’s a long time, but at least we know it’s coming.’ Janet couldn’t look at her. Couldn’t look at the Inspector. He’d betrayed her. Just kissed her to get her to say something. Open her up. Ready her for the prosecution.

‘You look nice,’ the Inspector said. ‘Are you going out somewhere?’ Janet shook her head, left the kitchen and returned to her bedroom. She pulled the dress off, changed into her old clothes, and threw the dress into the back of the wardrobe. She lay face down on the bed, put the pillow over her head, and wept.

Two long raps and a short. Two long raps and a short. That was her door, not the front door. Janet sat up. Yes, she said. The Inspector opened the door.

‘Sorry to disturb you, Janet. Just wondered whether you’d be free on Saturday night?’

To be continued.

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fiction serial

The Cloud. Episode 40

February, 2020. Edinburgh

A scene. Katherine’s living room.  Early evening.

Inside a large opulent living room. Curtains pulled. Lamps switched on. JEREMY is sitting in a large armchair. KATHERINE is standing by the fireplace. JANET is sitting on the edge of a chaise longue. BESSIE is sitting on a sofa. All have glasses in their hands.

Katherine:        I propose a toast.

Bessie:             To us. The Cloudbusters.

Jeremy:            Mother, for God’s sake…

Bessie:             Jeremy, allow me some fun for once in your life.

KATHERINE and JANET exchange glances across the room.

Jeremy :          Fun? This is organised crime, Mother.

Bessie:             You’re so like your father.

Jeremy:            Every time you bring him up. Every goddam time.

Bessie:             There’s a reason for that.

Katherine:       Heh, come on. Drink to whatever you want – but drink!

Janet:               To Cyril.

Jeremy:            A cloud…

Janet:               Clouds have rights too

Jeremy:            I’m not saying they don’t.

Bessie:             You signed up for this, Jeremy.

Jeremy:            Only because it was your long lost friend with a, let’s say (he pauses), an odd background.

Katherine:        Don’t be an arse, Jeremy, not in my house.

Jeremy:            Just saying how it is.

JANET stands up, walks to the fireplace and puts her full glass down on the mantlepiece. KATHERINE pats her arm and takes a slug from her glass, which is nearly empty. She tops her glass up from the bottle. She offers it to JANET. JANET shakes her head.

Bessie:             I’m sorry, Janet. He’s just tired. Such a long drive to come up here. He’s an expert you know. On all these gang things. Kidnappings are his speciality. Doesn’t leave room for charm.

Jeremy:            You’ve no idea what my speciality is, Mother.

Janet:               Jeremy, if you don’t want to be here…

Katherine:        There’s the door, Jeremy. No room for men like you in my house.

JEREMY puts his glass down on the floor and stands up. He steps towards the door. BESSIE stands up, follows him to the door and takes him by the arm. Whispers in his ear. He whispers back. They appear to be arguing.

Katherine:        Anyway, did you hear the news? There’s been another cloud kidnap. In Glasgow. A car parked in the Merchant City apparently.

Janet:               Can’t believe anyone would leave their cloud in a car. How irresponsible.

Katherine:        Really stupid. Must have going to the theatre or something.

BESSIE and JEREMY come back to the centre of the room.  JEREMY sits down, puts his hands on the back of his head.

Bessie:             He’ll help.

Jeremy:            Correction. I actually said I’d lead if we keep it professional. It’s not a game. I’ve got two days here then I’ll be managing the operation by phone.

Katherine:        Who decided you’d be in charge?

Jeremy:            It’s obvious, isn’t it.

Janet:               Does it matter?  I just want Cyril back.

JANET turns her back to the others and faces the wall. She takes a slug of wine from her glass.

Bessie:            See what you’ve done, Katherine? Why not just let Jeremy take charge? He knows what he’s doing. He’s trained. The military and everything. He’s even been to wars. To top tables. Remember that piracy case in Somalia. The one with the oil tanker?

Jeremy:            Could you please leave it out.

Katherine:       I don’t know what oil tankers have to do with clouds. And I don’t need a man telling me what to do. I’ve enough of that at work.

JANET turns around and faces the room. She has her glass in her hand and it is empty.

Janet:               It’s my cloud. I just want him back. If you can’t agree just leave. (There is a long silence.)

Katherine:       OK, OK, Jeremy, but mess it up and you’ll be responsible.

Jeremy:           If you let me do my job nothing will be messed up.

Bessie:            That’s it. We’re agreed. I propose a toast!

BESSIE raises her glass. JANET follows. KATHERINE AND JEREMY do not look at each other and raise their glasses half way.

To be continued.

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