Categories
fiction Flash fiction

Her, me

White pink tulip bursting into rose. Bowing lamp peering into what doesn’t concern. Her not me. Should have been her. I would have loved them more. Cared for them. Arranged them with choral fanfare. Harmonic grace. But she. She lets them topple. Unconcerned.

Pills to pop it all away. Her mother said no. There are other ways. Not the pills, love. I know a man. He’s very nice. Marla goes to him. I can pay for it. Really. Turn my back on her. Sun fidgeting around haloed hair.

Later she hides on the beach. Hiding in full view with all the other bobbled hats heads down watching their prints follow and fade follow and fade. Sand sliding through grit of grateful toes

Starlings all of a thither. He gave her flowers not me. Not her.  

Heh, Missus watch out! Och, Donny she made me do it she made me! Petulance from the waist down. Trip over flailing little feet. Catching her balance before she fell. Footie between duffle coats   goal!  

He’s not worth it, my mother said pouring camomile tea into a mug without a single chip. Let him go. Little Donny has chocolate ice cream all about his chin. Smeared down the belly of my coat. He know the tulips were mine. My thing. She’d always loved tulips. The way they swayed scarlet yellow in drunken armies across flatlands stolen from the sea. Rumba to the right. Tango to the left. Festival flowers. Flowers in her lair.

She’d told him about the tulips the first time. Stomping through the hush of svelting snow. Keeping him at arm’s length. She’d measured. Kept measuring. Not too close. You need to let them in, my mother always says. In different ways but she means the same. That’s why they leave you, love. You never let them close.

Look, he’d said, his hand on the fear of my arm. The first spring of blackbird. Pointing with his free hand. And so it was. I said the weirdest thing, then. I said, yes, grapes, oh and oysters – that’s the feeling. She doesn’t remember what happened next. Or whether anything happened at all. Pills to pop it all away. Sudden need to sit down. Leaning up against the hard fail of the groyne. Pulling her socks back on. Purple lilac handknit socks. Her, me. Every time.


This piece was written during a writing class based on Ann Quinn’s Berg.

Categories
blog fiction monolgue

The tree the old lover left behind

Christ, Life are you still here? There’s laws against this you know. You must have heard it on the news. Or the Archers. Remember Helen and Rob? No one saw that coming. All blind blade and the bloody bulge of blood. Then prison. For her not him. Life’s a bitch, right? And then you die. Coercive control they call it. A posh way of saying abusing bastard.

Controlling is an art, like everything else, you do exceptionally well, you do it so it feels like hell. You do it so it feels real. I guess I could say you have a call.

Shut you out with pills and pillows and blown bulbs I don’t replace. Bitter on my tongue.

Life.

Shut you out with closed blinds and turbo training spinning spinning spinning look Mum no hands!

Life.

Shut you out with other people’s words that trip across the page irrepressible iridescent irreprehensible.

Amen.

Careful, that was almost a cheery thought and we’re not here to talk about cheer, Life.

No sirree.

They say some are dealt a bad hand. But you’ve got to be in to win, right? Pick the card but don’t turn it over. What’s the point. You’re the biggest card cheater in town, Life. And a dab hand at the clichés.

I’m sorry about the clichés. I really am. But these days you sap me

of imagination

of irritation

of imitation

There’s something of the puddle about me. Crumble oil grey violet. Or moody slush. Or sallow sludge. Depending on the season.

And the height of my heels.

And you insist on holding onto the queerest of things. That fig tree my lover left behind in a previous life that I’ve attempted to murder at least annually for eleven years. Root bound and pot bound and soil that has long forgotten the purpose of its toil. And you, Life, you insist on making sure the bloody thing continues sprouting.

Continues its photosynthesis.

Continues its irksome in your face will not forget cannot ever cast off that damn previous past living.

Categories
fiction Flash fiction

Waterloo

I went in once with you. For a laugh. You were surprised at my surprise. Amused by being amused by the amusements. You tripped over toddlers and caught your knee on the sharp metal corner of the shooting range. Expleted. Health and safety I said. You hopped and rubbed and made a scene. Strode to the motorbikes. Climbed on sat astride, popped a token in the slot, hunched and leant and twisted and swung and grinned and gritted until you swung wrong so far wrong that you powered into a large concrete wall. Screen flashed blood and fire.

We burn him at Seafield. We stand, all of us, two metres apart, legs adrift, hands clasped behind our backs. Twisting fingers and tired lips and eyes rubbed pink raw. Lining the road per regulations. He chose a horse and carriage. The horse wears a red ostrich plume. A strange choice for a poet, the horse says, as it trots past. Clopping silver iron on tarmacadam grey. I’m not fond of red. It doesn’t go with my eyes. The horse winks. A masked policeman holds the traffic until the horse swings into the crematorium. White van man leans on his horn. I give him, all of him and his kind, the finger.

You held your nose at the smell. Jif and candy floss and pine fresh and Brute and burnt beef fat and chips. So many chips. We used to eat chips together. In shorts and flopping sun hats, legs dangling on the wall. Before we met. With brown sauce and vinegar. You liked them fresh. Insisted they cooked them in front of you. The horse with the red ostrich plume is not a lover of chips.

You pointed at the hunch of the woman at the penny drop. The penny dropped and the coins shovelled and the woman roared. She shovelled pennies into the pocket of her yellow pinny. You gave her a thumbs up. Your thumb wore stars and stripes. You couldn’t hear yourself speak for the merry go round. You queued for tokens and went from machine to machine. All that kerfuffle and flashing and strobing and YOU ARE MY DANCING QUEEEEEEEEEN  OH SEE THAT GIRL WATCH THAT SCENE you pulled out plugs and pulled down levers and you won a green spotted dinosaur and a rip off Barbie with black eyes and a purple bullet proof vest.

I come here for the pier but the pier is long gone. A woman in a periwinkle blue headscarf points at the groynes. It’s just the groynes now, hen, she says, the pier was washed out to sea. Before the war. Or bombed. You know how people are. Can never make up their minds. That’s sad, I say. She nods. You had to pay, she says. And we never had enough money for the seven of us. Just the wee ones went. Right to the end to get their ha’pennies worth.

You won. The claw grabber coming down on the blue bear’s head, grasping it by the ears, shaking it, shaking it, the blue bear is yours and you are victorious and an army of small girls are up against your legs begging for the blue bear and your feet are sinking in the dank damp of the once proud carpet and everything is pinging and pinking and flashing and dashing and rising and falling and racing and burning and losing and losing and losing so much losing the penny dropping and the woman in the yellow pinny coming at you, coming for the blue bear and you are raising your arm, your fist, your stars and stripes thumb, not in victory.

The pier. I can’t believe the pier isn’t here. I’m sure it was the last time. She drowned. The little girl. With the coin in her hand still. Her brothers on the beach with buckets and spades digging moats and building castles or houses or dungeons or race tracks or the gun barracks that sit horny on the other side of the thorned white cliffs of chalk. Her mother in the arcade. Her aunty Wilma queuing for candyfloss. The horse says he could see it coming. No good comes from a pier. He shakes and stamps and we file into the remembrance garden for the outdoor service. Only four of us are allowed in. Or is it six. The chip is warm grease and squidge in my hand.

The penny drops. Except it doesn’t. The claw does not pick up the violent pink teddy with the baleful plum pudding eyes. The pinball machine is silent, sulking, stiff, the ball caught in the clown’s leer. The vacated ice-cream containers are frigid empty. I peer through the grill at the piled high of wretched soft toys. Waterloo. Knowing my fate is to be with you. Waterloo. Shuttered. Locked tight with rusting padlocks and a straggled smear of old gold paint.

Categories
fiction Flash fiction

The Governor

He’s not available

It says he’s in.

Where?

On that board.

That’s out of date.

It says Wednesday, today.

That’s last week.

It says the 20th.

Things change.

He doesn’t.

I think you better leave.

I’m not doing any harm.

You have to leave.

I’m fine here.

He’s not in.

He will be. One day.

He won’t see you.

He sees me. He’s seen me.

You’re not the first.

I intend to be the last.

Is that a threat?

No, a fact.

I’m calling security.

There’s no security here.

Of course there is.

Six people work in this office.

And one on security.

Postman Fat? Thomas the Wank Engine?

What do you mean?

It’s what he calls them. You.

I’ll call the police.

I should have called the police.

You’ve lost me.

You know what I mean.

No.

Look at this, then.

He didn’t do that.

He did.

He couldn’t. He’d never.

You said I wasn’t the first.

I didn’t mean that.

What did you mean?

Does it hurt?

Yes.

It looks sore.

It is.

Did he really do that?

Yes.

You must have provoked him.

Provoked him?

He wouldn’t hurt a fly.

I’m not a fly.

It takes a lot. To provoke him.

How much?

You need to leave.

Has he hurt you?

We’re not talking about me.

He’s hurt you, hasn’t he.

It was my fault.

How was it your fault?

I let her in.

Who?

Another woman.

When?

I don’t remember.

Are you afraid?

Jobs are hard to find.

Stand up.

Why.

We’re going in.

Categories
fiction Flash fiction

The Egg

‘I’ve told you before, Jack. Never take an egg from a nest. Think of its mummy and daddy.’ Christine snaps her laptop shut, stands up, walks past her son and flicks the kettle on. The little boy stays on his chair, shoulders slumped, cradling the small speckled blue egg in the slight of his hands.

            ‘But they weren’t there, the mummy and daddy birds. I had to save it.’ Christine spoons three teaspoonfuls of sugar into a hand-thrown black ceramic mug.

            ‘I suppose it’s too late to take it back now,’ she says. She stirs the sugar through the coffee.  ‘Wrap it up in something, and put it in a box in the airing cupboard. You never know, you might be lucky.’

Time passes. A day here, a day there. Mail is dropped through the letter box. The snotty-eared Border terrier is taken for his three daily walks. A neighbour locks herself out and sits in their living room leafing through Home and Garden magazines until her husband gets home from work. There’s a typhoon in the Philippines, a mountain rescue in the Cairngorms, and a fifteen year old osprey called Hannah wins The Great British Bake Off. Jack’s father, Dennis, brings vegan cutlets home to flame on the barbeque. Christine gets through three bottles of seriously good wine. Little Jack hangs around in the hallway listening at the door of the airing cupboard. Behind the door, almost silence. Just the tick tick of the central heating system, the settling in sighs of the crisp folded linen, and the clunk of the dustpan and brush as it swings from its butcher hook when someone steps too heavy in the hall.

            ‘Mummy, Mummy, I can hear it, I can hear it!’ Jack wrenches the handle of the cupboard door and hops from one foot to another. Christine, who has been fussing around the house, writing lists for the cleaning woman, shouting at her absent husband, and heaving the dog off the chaise longue, does not need this now.

            ‘Of course you can’t she says. ‘Get away from that door now.’

            ‘I have to be here just in case,’ he says, his tone close to a whine. Christine is not a lover of whining, nor a lover of a son of hers stealing eggs from the local wood that had a protection order slapped on it by her husband’s tree-hugger friends just three months previously. Then she feels it, the most subtle of shifts in the air. A change in scent or humidity or pressure.

            ‘Don’t you open that door, Jack,’ Christine says, leaning over the back of the kitchen chair and gulping back the dregs of her breakfast coffee.  She wipes her lips with her hands. ‘If it is being born, you don’t want to frighten it to death.’

There are so many condolences cards that the nurse has arranged them in three neat lines along the sill of the large picture window. Christine hasn’t read them yet. Not even one. Reading means accepting. Accepting means agreeing. Agreeing makes it true. Letting it sink in as her mother would say. It was an egg. It was just an egg. She hadn’t bothered to identify it, so many other things to do, but even if she had?

She slides a hand down under the starch of the hospital sheet along the cool bump of her hip then further down her thigh. Stops at the stump. First time she’d done that she’d screamed. Screamed and screamed until a squad of nurses had appeared in convoy, gathered around her bed, shushed her and held her hand and held her down and injected something into the saline drip. The slam of the crush in her chest had loosened, dissipated, subsided into something hazy, gauzed, hidden behind sterile and crepe and words that had yet to be spoken. Now she allows her hand to lie there, the weight of it on the remnant of her limb familiar but not yet reassuring.

Jack is to visit her for the first time. She is four operations in. Does he know, Christine whispers to the nurse who’s fussing about her monitoring system and jotting down numbers on a pad. The nurse shakes her head. Should I tell him, she asks, reaching out to hold the nurse’s hand. The nurse frowns. Perhaps not all of it at once, Mrs Simpson, the nurse says. Maybe start with the amputations. And leave your husband’s passing for another time. Passing. What a strange term. Makes it seem peaceful, ordinary, even preordained. Murdered would be better. Mutilated. Torn from limb to limb. When is the right time to tell your five year old his father was gathered into twenty bin bags, each piece of him measured, weighed and photographed, and a number stuck to the wooden floors of their house to show the range of the carnage. Her feet that aren’t there are too hot and too tight. She pulls the sheet up to give them some air. Looks down at the empty space. Shuts her eyes. The space remains white behind her closed lids.

It has been all over the papers of course. Christine’s mother, Enid, makes sure Christine has access to the lot. Enid brings the fat brown cardboard file in and lays it down on Christine’s bed. Enid has been genuinely unkind to Christine for thirty three years and is not going to change just because of a tragedy. Read them while you’ve got time, she says to her daughter. Once you start on the physiotherapy you’ll have time for nothing else. Mark my words. Christine turns her face to the wall. Enid walks to the window. Lovely cards you’ve got, dear, she says. Lovely cards. Why don’t you take them home, Christine says to the pillow.  You can pretend they’re all for you.

Christine shuffles her buttocks into position on the bed and hauls herself up with the pulley. Her mother has taken the cards and taken her leave. Christine needs to see outside. A flash of yellow catches her eye. A coal tit hops and flutters down the branch of the oak tree outside the window and pecks at the seeds in the bird feeder. Christine opens her palm and studies the fragment of shell she’s been holding loose for the last half hour. It is pale blue, speckled grey with a smear of red, and a grit of dark green stuck to its glossy interior. The doctor had handed it to her in a neat glass specimen jar as she’d sat up for her first meal without her legs. We found this, she’d said. What is it, Christine had asked. Where? The doctor had paused. Between your toes, she’d replied. We thought you’d want to keep it.

Note. I wrote this story from a prompt in my Monday writing group. It was written in 30 minutes and has had one light edit. The prompt was: a person finds an egg in a forest and brings it home, with unexpected results.

Categories
fiction Flash fiction

Protected: The Baptism

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fiction Flash fiction monologue

Protected: Sherry Cherry

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Categories
fiction Flash fiction

The Wound

‘Christ, don’t press so hard!’ Tim pulls his bare leg off Mary’s lap.

‘I’m only trying to help.’

‘Help? You’re making it worse.’

‘Could you be more grateful?’

‘It’s your fault anyway.’

‘How in God’s name is my fault?’ Mary stands up and throws the bloodied white towel at her husband. It lands on his lap. ‘Do it yourself.’ She picks his shredded trousers off the floor, takes them through to the bathroom and drops them in the wicker laundry basket. She returns, leans on the fridge, and folds her arms.

‘Oh come on, love.’

‘I’ve had enough.’

‘Pretty please? I was picking them for you.’ He smiles up at her from the kitchen chair. It’s a Shaker chair. Oak ladderback. One of six. Hope he doesn’t mark it. She’d saved for months to buy those chairs. Ordered them from an old bloke in Dorset who only makes a few sets a year. She had to buy them earlier than she should have just in case he died. Tim’s pale. Pallid even. Maybe she should take him to a doctor or a nurse or whoever fixes people up these days. But it’s a Saturday afternoon. It’s an hour’s drive to the hospital. There’ll be a massive queue at A and E. Most of them drunks.

‘No.’

‘Oh come on, Mary, I’d do it for you.’ It’s a lie. Of course he wouldn’t do it for her. He never does anything for her. Nothing. Amazon vouchers for Christmas and John Lewis vouchers for birthdays. That’s it. So lacking in imagination he’s never even switched them around. Amazon vouchers for her birthday. That would perk her up. What a surprise. She smiles. Pictures the scene. They’d be laughing together. He’d say look, got you this time girl, and he’d slap her bottom, and she’d pour him a tall glass of Whispering Angel Rosé and straddle his lap. He’d lift up her satin satsuma skirt (bought with the previous year’s vouchers) and kiss her white lace panties. And then…

God, what’s she thinking? Last couple of years he hasn’t even bothered with the cards. Automated emails coming in as regular and tedious as the dreadful mantle clock his parents had given them for their wedding. Still tick tocking its mean little rasp twenty years on. She’d knocked it off the mantlepiece with her elbow twice and still the damn thing wouldn’t die.

He puts a hand on his forehead. ‘I’m all clammy. I might faint.’ He doesn’t look right, she’ll admit that. She sits down across the table from him. The table is covered with loose battered apples. They are large, rose red and pale yellow. Pink Ladies. The Pink Ladies that Tim had been stealing when he’d fallen out of the tree. A forty-nine year old man with sciatica and a heart murmur what with the too much drinking, up a tree nicking apples from the next door farmer’s orchard.

‘Have some water. It’s superficial. Shins always bleed heavy like that.’

‘It’s not superficial, it’s spurting!.’ Mary mutters of course it isn’t spurting only arteries spurt and there’s no arteries there under her breath, gets up, fills a glass with tap water and slides it through the apples towards him.

She’d heard the scream but hadn’t recognised it. She’d put down her book (The Silent Patient by Alex someone if you really want to know the details – Only she knows what happened Only I can make her speak ) and had run out of the house, into the yard and down the lane and there he was. Face down, spread-eagled on the hawthorn hedge, the hedge that was supposed to keep the townie-incomers away from the trees. Their wooden IKEA ladder lay neatly on top of him. Tim, she’d shrieked, Tim is that you?

She is embarrassed about the shriek now. What if Bob the farmer had heard. He’d be furious. He is angry enough. Forever complaining that they didn’t keep their garden just right, that they were introducing pests to his trees, that they used up too much water, that they shouldn’t keep hens if they couldn’t stop the slaughtering vermin foxes etcetera etcetera. Except Bob wouldn’t use the word etcetera. He’s not an etcetera sort of man.

Tim holds the glass with both hands and sips the water. Just in his shirt, pants and socks, his upper body is all wrong for his thick lardy legs, like someone had taken the top half of one doll and stuck it onto the bottom half of another. He’s no Action Man but Mary can’t think what other doll he might be. Maybe dolls are the wrong simile. But Mary can’t come up with another one.

‘Weird,’ she says, after a few moments of silence. ‘See the shape of the wound?’

‘What do you mean?’ Tim looks down at the large bloody laceration on his right shin.

‘Can’t you see it?’

‘No?’

‘It looks like a dinosaur.’

‘A dinosaur?’

‘Yes.’

‘Christ, Mary, I’m bleeding to death. And,’ he paused, ‘it’s probably infected.’

Mary stands up and walks around the table to hover beside him. ‘Look,’ she says pointing, ‘there’s the head, and the long jagged neck. It even has those spiny things running all the way down its back. What do they call those ones? Ameg something.’  Tim slumps forward. His eyes are shut.

‘And there,’ Mary continues, ‘look at its big belly, how did you manage that, Tim? I mean it’s perfect. Even its feet and its long tapering tail.’

‘Mary, please. I’m going to pass out,’ Blood leaks down from the dinosaur wound blotting Tim’s white ankle sock red. Be hard to get that stain out. Mary has several bottles of stain remover. Each one has a different coloured label. Each one a different level of toxicity to the environment. All of them over-promising and under-delivering. Not one of them has ever removed a stain. Not properly.

Not that she’s obsessed with stains. It’s just that Tim is a stainer. Better stainer than stoner though. Olive, Mary’s sister, is married to a stoner. Olive sprays her house with Febreze Vanilla Flower (300 mls) every time Mary and Tim visit. Before their visit that is. Olive must think they’re stupid. Mary found a box of the empty aerosols once when she was rooting around in Olive’s garage for pictures of their parents. Olive is such a hoarder. But keeping empty cans? Maybe she’d wanted Mary to find out? To help her with Trevor’s addictions? But you don’t mess with Olive. So Mary just checks that box of aerosols each time and ponders why Olive never tries another brand or fragrance. So many lovely ones to choose from.

‘Can you put something cold on my neck?’ Mary goes to the sink, rinses out a clean dishcloth with cold water, and hands it to Tim. He drapes it over the back of his neck and moans.

‘I wish I could remember the names of the dinosaurs,’ Mary says. ‘Your one there, it’s on the tip of my tongue. I can see it now. Beginning with A. It had two lots of spines, I’m sure of it.’ She leans down and rubs a spot of blood off the chair leg with a finger. Tim pushes her hand away.

‘Mary, for Christ’s sake. You care more about those chairs than me.’ He puts the white towel over the wound and presses down hard. A tight whistling bird-like sound forces its way out through his clenched teeth.  Mary goes back to the fridge and leans into its warm steady tremor.

‘If we’d had children we’d know all the dinosaur names,’ she says, folding her arms across her chest. Tim stands up. The bloody white towel falls to the floor.  His dinosaur shin is bare. He is half-naked with his lardy legs and a wet Lakeland dishcloth around his neck.

‘Every time,’ he says, ‘you twist things round to that. Every bloody time.’  Mary’s stomach tightens. Her pelvis contracts.

‘And why do you think that is?’ she says. He takes a step towards her, stops when he sees her lips twisting, the reddening scrunch of her eyes.

‘It wasn’t my fault,’ he says. She leans down, picks up the bloody towel and throws it into the sink.

‘That’s right. It was my fault. Every time. Every time. Your bloody wound is nothing. But mine? It just bled and bled.’

Categories
fiction serial

The Cloud. Episode 40

February, 2020. Edinburgh

A scene. Katherine’s living room.  Early evening.

Inside a large opulent living room. Curtains pulled. Lamps switched on. JEREMY is sitting in a large armchair. KATHERINE is standing by the fireplace. JANET is sitting on the edge of a chaise longue. BESSIE is sitting on a sofa. All have glasses in their hands.

Katherine:        I propose a toast.

Bessie:             To us. The Cloudbusters.

Jeremy:            Mother, for God’s sake…

Bessie:             Jeremy, allow me some fun for once in your life.

KATHERINE and JANET exchange glances across the room.

Jeremy :          Fun? This is organised crime, Mother.

Bessie:             You’re so like your father.

Jeremy:            Every time you bring him up. Every goddam time.

Bessie:             There’s a reason for that.

Katherine:       Heh, come on. Drink to whatever you want – but drink!

Janet:               To Cyril.

Jeremy:            A cloud…

Janet:               Clouds have rights too

Jeremy:            I’m not saying they don’t.

Bessie:             You signed up for this, Jeremy.

Jeremy:            Only because it was your long lost friend with a, let’s say (he pauses), an odd background.

Katherine:        Don’t be an arse, Jeremy, not in my house.

Jeremy:            Just saying how it is.

JANET stands up, walks to the fireplace and puts her full glass down on the mantlepiece. KATHERINE pats her arm and takes a slug from her glass, which is nearly empty. She tops her glass up from the bottle. She offers it to JANET. JANET shakes her head.

Bessie:             I’m sorry, Janet. He’s just tired. Such a long drive to come up here. He’s an expert you know. On all these gang things. Kidnappings are his speciality. Doesn’t leave room for charm.

Jeremy:            You’ve no idea what my speciality is, Mother.

Janet:               Jeremy, if you don’t want to be here…

Katherine:        There’s the door, Jeremy. No room for men like you in my house.

JEREMY puts his glass down on the floor and stands up. He steps towards the door. BESSIE stands up, follows him to the door and takes him by the arm. Whispers in his ear. He whispers back. They appear to be arguing.

Katherine:        Anyway, did you hear the news? There’s been another cloud kidnap. In Glasgow. A car parked in the Merchant City apparently.

Janet:               Can’t believe anyone would leave their cloud in a car. How irresponsible.

Katherine:        Really stupid. Must have going to the theatre or something.

BESSIE and JEREMY come back to the centre of the room.  JEREMY sits down, puts his hands on the back of his head.

Bessie:             He’ll help.

Jeremy:            Correction. I actually said I’d lead if we keep it professional. It’s not a game. I’ve got two days here then I’ll be managing the operation by phone.

Katherine:        Who decided you’d be in charge?

Jeremy:            It’s obvious, isn’t it.

Janet:               Does it matter?  I just want Cyril back.

JANET turns her back to the others and faces the wall. She takes a slug of wine from her glass.

Bessie:            See what you’ve done, Katherine? Why not just let Jeremy take charge? He knows what he’s doing. He’s trained. The military and everything. He’s even been to wars. To top tables. Remember that piracy case in Somalia. The one with the oil tanker?

Jeremy:            Could you please leave it out.

Katherine:       I don’t know what oil tankers have to do with clouds. And I don’t need a man telling me what to do. I’ve enough of that at work.

JANET turns around and faces the room. She has her glass in her hand and it is empty.

Janet:               It’s my cloud. I just want him back. If you can’t agree just leave. (There is a long silence.)

Katherine:       OK, OK, Jeremy, but mess it up and you’ll be responsible.

Jeremy:           If you let me do my job nothing will be messed up.

Bessie:            That’s it. We’re agreed. I propose a toast!

BESSIE raises her glass. JANET follows. KATHERINE AND JEREMY do not look at each other and raise their glasses half way.

To be continued.

Categories
fiction serial

The Cloud. Episode 39

1966, Sydney.

Philip’s death shunted his parents’ ages forward a decade or more. Bernadette’s fingers gnarled into the twisted uselessness of broken twigs. Her once straight back diminished to a stricken stoop. She seemed perplexed when asked a question. Bewildered by mundane tasks. She’d start and stop. Or finish then start over again. She’d leave the broom, brush end up and colonised by spiders, parked up against the mantle piece in the living room for days. Or abandon a bucket of dirty water in the middle of the kitchen until Edward would kick it over and step wet grime through the house. She’d sit in the tin bath, knees up, arms wrapped around her legs in cold shallow water until Eric, prompted by Edward, would remember to rescue her before her skin wrinkled to a shrivel.

Eric’s thick dark hair moulted into a thin white cap. He became a man with only two moods – melancholy or fury. The moods flipped as probabilistically as a spun coin. Heads for melancholy. Tails for fury. Or heads for fury. Tails for melancholy. Janet came to predict her father’s mood by the feel of the old house as it pre-empted Eric’s emotional status. It sighed and settled in sorrow. Or it was taut and crackling in anger. Even in his absence, in the long hours that Eric was out at work, the house kept the dark sentiments going.

Edward went to school, came back, and went to school. He was alone, then in a pair, and finally promoted to the most popular group of boys in the school. His leather satchel developed an uneasy rash of stickers. His skin oxidised, his hair bleached and he extended upwards beyond his father. He patted his mother’s arm, nodded to his father, and cleaned his rugby boots on the back step. He was never in the same room as Janet. He ate his meals in the back garden, or stood, tapping his foot at the kitchen door, until Janet got up to leave. On Saturdays he disappeared with a rolled up towel, a packed lunch, and his bus money, returning late in the evening with salt-slicked hair and grazes on his shins. Sharp lines separated brown skin from pale, denoting the length of both his shorts and his sleeves. One evening he turned up with a black coral necklace scooped around his neck. No one said a word.

Janet enrolled at the University of Sydney in the school of law. She would start in the following February. Neither of her parents noticed the accolade that this should have brought upon the family. Nor did they notice Janet’s sudden switch in interest from English literature to the legal profession. In the meantime Janet searched through the classified ads for an admin job in a criminal law office. Two months after her arrival in Sydney, she would pull on a smart blue skirt, tie her hair back into a sharp tight pony-tail, and start her new role for Mr Shepherd LL.B.

The new arrivals had, like all new arrivals, attracted attention in Macaulay Road. Did the neighbours know about the Waters’ bereavement? If so, they kept schtoom. And if so, they behaved magnanimously. (Or they held a dark fascination for the horror the family was suffering and they wanted to get in closer to have a dig around in the misery.) Grief is not a social butterfly. It isn’t invited to dinner parties or trips to the zoo, or a family day out to Manly Beach. And if, on occasion, grief is invited to these events, it declines through reticence or silence.

So the neighbours in Macaulay Road, despite their unswerving and collective efforts, didn’t manage to get over the Waters’ doorstep for months. Instead they left entreaties just inside the garden gate. A passion fruit pavlova in a Tupperware box. A small rubber plant in a large hand-painted terracotta pot. Pretty white crocheted doilies with dinky weights on the corners to keep the flies off food. Handwritten cards in smudged ink with telephone numbers and invitations to barbecues. Janet would rescue these offerings and dump them on the kitchen table. A day or two later her father would caress the objects with both hands before standing up and dropping them silently into the bin.

The Inspector was the only person to visit the family in its first season of mourning. His visits were initially regular, and greeted with angry questions from Eric and pleas for further investigation from Bernadette. Did the Inspector obfuscate? Perhaps. He mentioned the coroner. The lack of a body. The complexities of the law of the sea. Maybe there’d be an inquest. Maybe not. He was working on it. He’d wipe his brow down with a cotton handkerchief and Janet would bring him a glass of cold water. Sometimes she let her hand brush over his. And sometimes his pinky would move just enough for Janet to pinken in the cool glum of the kitchen and hold out hope that something more than the rub of a finger would be forthcoming.

To be continued.

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